SEARCH RESULTS FOR: Vaughan Williams
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1872–1958 English composer Vaughan Williams studied with Parry, Stanford and, in Berlin, with Bruch, but was slow to find his unique personal voice. This was released by his study of English folksong (which he began collecting in 1903) and of Tudor church music, and by a further period of study with Ravel in 1908. He realized ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Classical guitarist-composer John Christopher Williams (b. 1941) is a Grammy-Award winning Australian classical guitarist who has explored many styles beyond the classical tradition. John’s father Leonard (Len) Williams was an accomplished guitarist who emigrated from Britain to Australia and was best known there for his jazz playing. He taught John to play guitar, and it soon became apparent that the ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Exploding on to a generally lethargic blues scene in 1983 with his Texas Flood album, Stevie Ray Vaughan (1954–90) administered a high-voltage charge that revitalized the blues with his stunning, ecstatic playing and imagination. He took inspiration from the most stylish of his idols – Jimi Hendrix, Buddy Guy, Howlin’ Wolf, Albert King – but it ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Clarence Williams was born in 1898 in Plaquemine, Louisiana, migrating to New Orleans in the teens to play piano in the District and begin a long career as a composer, bandleader and musical promoter. He was manager of two early jazz venues – the Big 25 Club and Pete Lala’s Café – hiring the best musicians in the ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, 1903–82) Joe Lee Williams was born in Crawford, Mississippi to tenant farmer parents and by the age of five he was playing a homemade guitar. He left home in 1915 to hobo through the South. Williams worked tent shows and medicine shows with a jug band and as a soloist from 1918–24. Often accompanied by Little ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Harmonica, vocals, 1914–48) John Lee Williamson was born in Jackson, Tennessee. He taught himself harmonica at an early age and left home in his mid-teens to hobo with Yank Rachell and Sleepy John Estes through Tennessee and Arkansas. He settled in Chicago in 1934 and made his recording debut for Bluebird in 1937. His first song, ‘Good ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, 1924–90) Sarah Vaughan began her career singing in jazz bands led by Earl Hines and Billy Eckstine, but achieved her greatest fame singing ballads in more commercial settings from the late 1940s onwards. She continued to record in both jazz and popular contexts until 1967, when she took a five-year break. Her striking control and wide vocal ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Harmonica, vocals, c. 1912–65) Alex Ford ‘Rice’ Miller was born in Glendora, Mississippi. He taught himself the harmonica at the age of five and by his early teens had left home to sing and play as ‘Little Boy Blue’. He worked streets, clubs and functions through Mississippi and Arkansas during the 1930s, often playing with Robert ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Drums, 1945–97) Aged 14, Boston-born drum prodigy Tony Williams worked professionally with tenor saxophonist Sam Rivers. In 1962 he went to New York, played with Jackie McLean, then became part of one of Miles Davis’s greatest bands. A dazzling colourist and dynamic rhythm-maker, Williams recorded two albums for Blue Note and played with many of the ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The premiere torch-bearer for the blues-rock boom of the 1980s, Texan guitar wizard Stevie Ray Vaughan galvanized a generation of players and fans alike with his pyrotechnic licks and flamboyant stage presence. Connecting deeply with both the psychedelic, ‘voodoo chile’ mystique of Jimi Hendrix and the down-home roadhouse grittiness of his biggest guitar influence, Albert King, Vaughan ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Bandleaders, 1940s) Curley Williams (1914–70) and Paul Howard (1908–84) were – outside of Pee Wee King – the chief exponents of western swing east of the Mississippi during the music’s 1940s heyday. Both led excellent, hot bands on the Grand Ole Opry and both found it necessary to leave the Opry in order to play the music they wanted ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Rural Alabama-born Hiram Williams (1923–53) has emerged in the half-century since his death – at age 29 – as the archetypal honky-tonk artist and arguably the single most influential artist in modern country music. The songs that Williams wrote and sang in the course of his short and none-too-sweet life – ‘Hey Good Lookin’,’ ‘I’m So Lonesome I Could Cry’, ‘Cold ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal duo, 1930s–60s) For years, husband and wife vocal team Andrew John Smik (b. 1914) and Jesse Wanda Crupe (b. 1919) sang on WWVA Jamboree, in Wheeling, West Virginia, and earned regional popularity within that radio show’s wide broadcast area. The Williamses were champions of old-time country music and their band The Border Riders created a ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, bandleader, 1917–85) One-time singer and bass player with Spade Cooley’s Orchestra, Sollie Paul ‘Tex’ Williams’ vocals were first heard on the Cooley hit ‘Shame On You’ (1944). It led to a recording deal with Capitol and, following disagreements with his boss, he was fired from the outfit. Disapproving of the sacking, most ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, b. 1949) Williams was only three when his famous father died, but the youngster was raised to imitate his daddy’s records as closely as possible. He finally rebelled against that formula in 1975 by releasing Hank Williams Jr. And Friends with his southern-rock friends. After an injury-induced break, he returned to performing in 1976, ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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